Watch sketches by Key & Peele, SNL, W/ Bob and David, and Monty Python to gather inspiration. Take note on what these professional sketches have in common. What separates these sketches from other ones? When watching other sketches or skits, think about what makes the one you’re watching original. You don’t want to copy a skit you’ve seen before, but you may be able to find a new angle. Pay attention to what’s happening around you. A lot of the best skits work because there is a relatable component in the sketch that makes us think of our own lives. Pay attention to how people around you interact with one another. Look for real life scenarios that are funny to you. [2] X Expert Source Kendall PayneWriter, Director, & Stand-up Comedian Expert Interview. 3 April 2020.
If you encounter a funny interaction between people, that might be a great starting idea for a skit. For example, you witness someone at a coffee shop ordering an overly complicated drink and holding up the line. Write down what happened and why you think there might be humor in this situation. Maybe the idea of ordering such a complicated coffee is funny to you. Meet with your group and share ideas. It’s good If you have a place to write your ideas down so everyone can see each idea. Otherwise, designate someone to write each idea down in a notebook. Don’t censor your ideas right now. At this stage, you just want to get everything out. You may find that one silly idea turns into something great. If you laugh at an idea, make a note that you thought it was funny. Ask yourself why you’re laughing. Is it something visual about the idea? A certain word or words? Or maybe it’s because the idea is relatable to your own life. Knowing why something made you laugh will be helpful when building out your skit and ultimately performing it. Think about what kind of skit you may want to do. There are a number of types of skits and sketches from parody and satire, to character sketches and even absurdist sketches.
A POV is your opinion expressed as a fact. You can discover your point of view through a couple steps. First, you see someone order an overly complicated drink at a coffee shop. Second, you decide to write a skit about people ordering complicated drinks at a coffee shop. Each drink that a new person in your skit orders is more complicated and ridiculous than the one before it. Third, you reach your point of view, which is that people are becoming too obsessed with unnecessary options and materialism. Your point of view isn’t expressed by one character in your skit complaining about someone ordering an overly complicated drink. It’s expressed by the action that takes place in your skit. Having a clear point of view and expressing it as a fact is a great way to make any skit more original. Even if the content of the skit has been done before, it’s original enough because it comes from you.
Since skits are usually comedic in nature, your beginning can depict normal, everyday life. People at a coffee shop waiting in line to order coffee is normal. The middle of your sketch happens when something out of the norm occurs. People start ordering crazier drinks than the person before. The end of your skit is when there’s a climax and resolution. Perhaps the barista decides to dump everyone’s coffee on the ground. Or maybe the barista snaps and takes out a weapon and steals the money from the cash register.
The top of your script should have the title of your skit. Below you may want to write out the names of the characters involved, and even the name of the actor playing that character. To write dialogue, center and capitalize the character’s name who is speaking. On the next line, left indent the cursor and type the dialogue. Actions can be written on a separate line in parentheses. When writing your first draft, don’t concern yourself too much with getting everything perfect. You just want to get the general script down. You will edit it later.
If you’re writing the coffee shop skit, try beginning your skit with the barista asking the person at the front of the line what this person wants to order. The person who orders the drink should describe a complicated drink but not something that is so crazy that you can’t begin to build on it as the next few people order drinks. At the top of your skit, your goal is to give your audience enough information as quickly as possible. The barista can say something like “Welcome to Good Coffee, what can I get for you?” With one line you have established where you are, who the characters are, and what is happening. In a skit, every line is important. You don’t have time to waste developing elements that don’t matter in this scenario. Avoid discussion of things in the past/future, people who aren’t present, and objects that aren’t relevant to the skit.
You also want to keep your skit short because you can lose the humor if you drag it on for too long. A fast-paced script that ends quickly is easier to stay engaged in than a skit that stops being funny because the joke has run its course.
In our coffee shop skit, you can have three different patrons buying coffee. Each patron has a more ridiculous order than the last.
Using our coffee shop example, the first person will order a complicated drink. You can have the barista and customer talk for a few lines. Maybe the barista tries repeating the drink back to the customer and gets part of it wrong. The customer then has to correct the barista. The second customer has a crazier drink order. The barista tries repeating the drink order back and the customer decides to change the order. The barista then tries repeating this order back or has to ask what one of the ingredients is because it’s not common in a coffee drink. The customer complains and moves on. Finally, the third customer comes up. The barista is already upset and confused by the first two orders. The third order is by far the most outlandish order. The barista tells the customer that the coffee shop doesn’t even carry half of the ingredients and that the remaining options are black coffee, or coffee with cream. The customer throws a fit and calls for the manager. Now the barista has finally snapped and acts in a way that is just as crazy as the customers only with real life implications. This could mean the barista robs the coffee shop, throws hot coffee in the customer’s faces, or gets fired.
Show your sketch to someone whose opinion you trust. It’s good to get feedback from someone who will give you an honest opinion. Take notes on what people thought was funny, and not funny. It’s a good idea to understand what doesn’t work in a skit. Though you may like a line or joke, it may not work in your skit. Cutting out what doesn’t work is a great way to trim the fat in a skit. You want your skit to be lean and quick. Consider removing lines of dialogue that don’t directly contribute to forwarding your skit.
Although you should be looking for talented people, you should also find people that you know can be reliable and trustworthy. You don’t want to hold empty practices and rehearsals. If you are writing a skit as part of a larger show at school or a theatre, ask your teacher or theatre director for information about auditions. There might be one large audition set up for everyone, or you may have to hold your own. If you are holding auditions, put signs up around your school or post information about it on social media. When you do hold auditions, ask actors to bring in a headshot. You should also provide sides, which are a few pages of your script, for the actors to read.
Plan for your props and other equipment. Some skits work best with no props or backgrounds while others need a few more theatrics. Skits by definition aren’t too elaborate, but there may be props required to make the skit make sense.
If you’re filming your skit, you should have at least one camera, as well as sound and lighting equipment if you can. You can also upload your skit to YouTube or Vimeo so others can view it.
